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Creators - Luke Lorentzen
Genre - Documentary
release Date - 2019
Luke Lorentzen
Rating - 395 Votes

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Theyre trying to do the Mandela effect with “Morgan Freeman” in this movie 😂. I mean aesthetic_peeps_2019. Stream Addams Family Free The Addams Family is not your typical family: it delights in most of the stuff that would terrify normal people. Gomez Adams is an extremely wealthy man who can satisfy any appetite of his wife Morticia, whether it is the growing of poisonous plants or a candlelit dinner in a cemetery. People who visit the Addams Family just don't seem to notice the 7-foot-tall butler named Lurch or the helping hand, which is just a hand called "Thing. By Murray Chapman The Addams Family S01e01 The Addams Family Goes to School Sam Hilliard, a truant cop, is visiting the Addams family because neither of the children has ever set foot in school. He persuades Morticia and Gomez to meet with the principal, Miss Comstock. Miss Comstock, who doesn't think much of Mr. Hilliard, persuades the Addams to take Wednesday and Pugsley to school, but also asks Hilliard to go back home to Addams. The children of Addams are disturbed by the fairy tales of Grimms that are read at school; they think that dragons are actually killed. Hilliard is frightened by the Addams, particularly Lurch and the loud gong that summons him, but he's most surprised when Gomez suggests that he's trying to relax. The Addams Family S01e02 Morticia and the Psychiatrist S01E02 When Pugsley shows signs of normalcy, Gomez and Morticia seek help from a child psychiatrist; the doctor advises the family to care for the immature needs of Pugsley. The Addams Family S01e3 Fester's Punctured Romance Fester has been subtle and discreet recently, more than normal, and the daily newspaper shipments have also been intercepted. He searched the rows of the lonely hearts in search of a bride. Eventually, Fester fesses up and sends a note, and Gomez is delighted to snap the photo to be attached. Without a response, the days pass. As Miss Carver arrives at the window, she is mistaken for the correspondent of Fester-a desperate housewife with a suitcase ready to move in. In reality, she is a door-to-door cosmetics saleswoman, and her smooth and slightly seductive sales pitch, with a 90-day plan to make over Fester, is mistaken for a callous disregard for heart issues. When she figures out what she is The Addams Family S01e04 Gomez, the Politician The polling day is coming, and Gomez is very enthusiastic about it. He puts up all his old campaign posters; all the favorite candidates of Gomez are losers, in general. Sam Hilliard is running for city council, and Gomez is throwing behind the man his support. Hilliard is willing to get his hands on the donations to Gomez ' campaign. Gomez says he'd like to see the money spent in some respects, however. Hilliard wishes they would completely stay away from his campaign after hearing some of the suggestions of the Addams. The Addams Family S01e5 The Addams Family Tree Pugsley and Wednesday were attending friend Harold Pomeroy's birthday party. While Morticia instructs her children to be humble about their strengths, it is not an attitude that the Pomeroys embody, calling them kooks and declaring them inferior. Incensed, Gomez employs the genealogist of Mr. Pomeroy, Professor Simms, to study the family tree of the Addams to flaunt ancestors against them. In the meantime, Mr. Pomeroy changes his way completely because of oil he feels he's discovered on Gomez-owned land. Simms spills the beans on several. before the two meet to discuss business. The Addams Family S01e6 Morticia Joins the Ladies League Oscar Webber (played by Peter Leeds) who runs a failing circus, is visited by Pugsley and Gomez. Pugsley is a gorilla companion of Gorgo. Gorgo is following them back to the house of the Addams. Gomez hopes to find a household spot for Gorgo. To Lurch's dismay, Gorgo is exhibiting some aptitude for some of the duties of the butler. Morticia, meanwhile, aspires to join a women's social club, The Ladies ' League. Will Gorgo's service style impress the guests when the ladies visit Morticia at home? The Addams Family S01e7 Halloween with the Addams Family On the night of Halloween, two thieves embrace the mysterious invitation of the Addams to hide from the law in their house. The Addams Family S01e8 Green-Eyed Gomez When visits by Lionel Barker, the childhood friend of Moticia, Gomez sees him as an old beautiful and present rival. Fearing that he and Morticia could run away together, Gomez hires Mildred, an inappropriately man-crazy cleaner, to pull Morticia's Lionel, which is not working. She thinks her marriage is on the rocks when Morticia catches Gomez giving Mildred love lessons. What they don't know is that Lionel is a con-man with a white collar to bilk Gomez. The Addams Family S01e9 The New Neighbors Meet the Addams Family A newlywed couple learns to their horror that their newly rented home's tenants are their neighbors, the Addamses, who are bizarrely terrifying. The Addams Family S01e10 Wednesday Leaves Home When a disgruntled Wednesday pretends to run away, her parents are calling the police and driving a cranky detective batty for missing persons. The Addams Family S01e11 The Addams Family Meet the VIPs Two suspicious Soviet dignitaries are asking to meet a typical American they randomly picked up, and thus end up visiting the Addams Family. The Addams Family S01e12 Morticia, the Matchmaker Cousin Melancholia arrives overwhelmed at her wedding, a bachelor attorney visiting hoping to make a business deal finds himself targeted against his will by Morticia's matchmaking. The Addams Family S01e13 Lurch Learns to Dance Lurch receives his annual invitation to The Butlers ' Ball, which he ignores as usual because he can not dance. Morticia is determined to accept this year's invitation to avoid the reclusive direction in which he is heading. To that end, a dance teacher is hired, but when it doesn't work (due to frequent fainting spells) the whole family rallyes to the cause of Lurch, to the danger of innocent furniture and healthy vertebrae everywhere. The Addams Family S01e14 Art and the Addams Family When an outspoken art critic recommends that Mama get a teacher to help her paint better, Gomez gladly hires none other than Picasso for Mama. Not Pablo Picasso, Sam Picasso, a penniless non-talent who is more than willing to fly to wealthy America to teach in exchange for free room and board. Gomez believes Sam is an undiscovered master, despite outside opinions to the contrary. As a result, Sam soon finds himself locked in the basement of the Addams until he "finds himself" and starts cranking out masterpieces. The Addams Family S01e15 The Addams Family Meets a Beatnik A teenage biker on the run from his oppressive tycoon, Father, ends up hiding in the house of Addams, and the Addamses couldn't be happier. The Addams Family S01e16 The Addams Family Meets the Undercover Man The feds were interested in the Addams family because of the Pugsley Ham Radio, operated by Uncle Fester, which sends out secret "encrypted" messages all over the world. Agent Hollister uses the help of a few private citizens to stop the Addams domain without raising their suspicions, but it doesn't work. The Addamses become convinced that there is something wrong and call in the feds. The Addams Family S01e17 Mother Lurch Visits the Addams Family Lurch's mother is coming to visit the Addams clan. Paralyzed by guilt, Lurch can not confess his error to Gomez: Lurch has told his mother that he owns a big house. Gomez Gamely suggests a reversal of the role: Lurch will act as the man in the house, and Gomez and Morticia will act as his servants. Once Lurch's mother has arrived, Gomez feels his mistake. The old woman treats Gomez and Morticia badly, and the husband and wife strongly wish they had never gone along with the act. The Addams Family S01e18 Uncle Fester's Illness Uncle Fester's been down a bit recently, practically unable to hang on to his wattage. Because Dr. Mbogo, a trustworthy family witch doctor, is too busy to leave Africa, the Addamses must take their chances by providing the services of a local physician who pays them a house call. The Addams Family S01e19 The Addams Family Splurges The Addams family are hoping for a trip on the moon, but they need to earn a billion dollars. With Gomez's latest supercomputer, the family plans to make money by betting on horse races. The Addams Family S01e20 Cousin Itt Visits the Addams Family Parks Commissioner Fiske is visiting the Addams House to receive donations to the expansion of the City Zoo. Gomez claims that seeing Cousin Itt-all rugged and four-foot tall gibbering would be ideal as the new curator of the zoo. He's meeting both of them, but Commissioner Fisk misunderstands the intent and the errors of Itt for a new exotic animal attraction that he's driven away in chains while the others don't look. When the family finds out what's happened, Uncle Fester is ready to give the Addams way a bullet from behind. The Addams Family S01e21 The Addams Family in Court While Gomez and Morticia were away hunting bats, Mama resumed her old bad habit of making a fortune, which soon snags her into arrest for a violation of the municipal code. In her hour of need, the family rallyed to her side as none other than Gomez "Loophole" Addams-who never lost a case or won either of his law degrees to defend her in court. The Addams Family S01e22 Amnesia in the Addams Family An incident with his latest set of old Indian clubs is giving Gomez amnesia and a total change in aesthetics. Sadly, this coincides with the recent million dollar double indemnity insurance policy that Morticia has just drawn up, causing the amnesic Gómez-aghast at his macabre home and family-to feel his existence is in danger. A second blow to his head would bring him back to life. Sadly for Gomez, there are a lot of clubs with just as many loving family members skulling around, ready to regain their composure. The Addams Family S01e23 Thing Is Missing When Thing is missing, the family finds that he's "thing-napped. The Addams Family S01e24 Crisis in the Addams Family Once again, Fester's cannon fried the plumbing. The Arthur J. Henson Insurance Company, a division of Excelso Fidelity Insurance, is angered by yet another in a series of fees on the Addams plan, but the small print clause allows it to be eventually cancelled. After that, Fester's salary is revoked, and he gets a job as an insurance salesman for Henson Insurance. It's not hard to guess to whom he's selling his first scheme, which has the head of the company in an uproar, and he's storming his way out of the Addams house to wheedle. The Addams Family S01e25 Lurch and His Harpsichord Lurch feels betrayed when Gomez and Morticia give their ancient harpsichord to the museum. The Addams Family S01e26 Morticia, the Breadwinner Morticia and Fester overhear Gomez and his broker on the phone. Hearing the words "broke, penniless and wiped out. they conclude that Gomez is financially ruined, not knowing that he is simply addressing the misfortunes of others before embarking on a clandestine plan to buy his own railroad as a surprise to Morticia. Morticia brings the rest of the family together to find ways to make money and help Gomez. Grandma prepares to be a beauty stylist, Fester arranges an escort service with Lurch, the children sell drinks at the henbane stand on the sidewalk, while Morticia offers fencing and. The Addams Family S01e27 The Addams Family and the Spaceman Pugsley's late-night missile launches trigger no less than 14 spotting calls to the Bureau of Mysterious Space Objects (M. S. O. Addamses are about to leave for a combination midnight picnic and snail search when they hear an announcement of unidentified flying objects in their region. Thinking that there might be Martians, they happily decide to tarry and see while the M. investigators converge on the Addams estate with the same idea. The two parties meet, each of whom believes that the others come from another country. The Addams Family S01e28 My Son, the Chimp Uncle Fester thinks that his conjuring mishap has turned Pugsley into a chimpanzee. Now the family is waiting for him to turn Pugsley back into a boy, unaware that the explosion of Fester had merely knocked Pugsley into a secret room, where he was trapped, and that the chimp was just a chimp escaped from an organ grinder that Pugsley had befriended outside anyone's notice and dressed in a double set of his clothes. The Addams Family S01e29 Morticia's Favorite Charity The family decides to donate the most precious things to the local bazaar. The Addams Family S01e30 Progress and the Addams Family The town is planning to take the interstate through the Addams area. In addition, the house of Addams was planned for demolition. Gomez and Morticia need to find a solution, or else the house will be lost. Arthur J. Henson, city manager, visits to illustrate the point: the Addams should get out. Unwilling to leave their precious home, Gomez and Morticia come up with the idea: to move the house to another location. Gomez buys a vacant lot next to the home of Arthur Henson, and pays for their house to be moved there. The Addams Family S01e31 Uncle Fester's Toupee Uncle Fester confesses that he has been exaggerated by his Illinois pen pal, Madelyn, particularly by having a full head of hair-a mane equal to his brittle athleticism. For Madelyn's upcoming visit, Uncle Fester's Morticia and Gomez are wearing a hairpiece, but when Morticia discovers that Madelyn had five husbands, all now deceased, she starts to think about Uncle Fester's future happiness. The Addams Family S01e32 Cousin Itt and the Vocational Counselor Morticia thinks that marriage counseling would be the perfect career choice for Cousin Itt. To prove it to him, she and Gomez pretend to be a couple in trouble, but the pretense goes awry when she begins to believe in parts of Gomez's play-acting fantasy. Now Morticia and Gomez are really a couple in trouble, and it's not going to be a marriage councilor at all. At the end of the day, a qualified career therapist is called upon to assess Itt, with a surprising result. The Addams Family S01e33 Lurch, the Teenage Idol Inadvertently, Lurch becomes a pop music sensation with screaming fans mobbing him. The Addams Family S01e34 The Winning of Morticia Addams A magazine article by eminent psychiatrist Dr. Francois Chalon has Uncle Fester claiming that the joy of Morticia and Gomez's marriage hides shimmering feelings deeply buried, so Fester makes it his job, for family peace and harmony, to get them to compete so that they can let go of emotional turmoil and become a truly happy couple. To this end, he hires others in the group, but he ends up with little to show for it. Eventually, Fester calls Dr. Chalon himself, but the eminent doctor proves to be a modern day Casanova, bringing various problems to the home of Addams. Search Artvilla Link to this page Highlight the text and copy.

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Original title: Midnight Disease - 2010, 95 min Genre: Horror Director: Ryan Fowler, Robbie Ribspreader Cast: Laurence R. Griffen, Mia Chiarella, AnnePratten An author suffering from a monumental writers block finds something unusual on his doorstep that helps with his problem. Watch horror movies online free on Viewlorium. Free stream midnight family music. Free stream midnight family youtube. Free stream midnight family series.

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Im usually dead around 4am. It's pretty obvious the mom is the villain here. Archive for the ‘Free Stream Category Sunshine and the Rain: In the Darkness of My Night Saturday, July 8th, 2017 As if Kim Wilde fronted the Jesus and Mary Chain When a group describes themselves as a “bombastic and chaotic” spin on girl group sounds, youre probably in for an adrenaline-charged good time. Imagine if Kim Wilde had fronted a version of the Ramones that had been inspired by The Jesus and Mary Chains “fd up distorted sound. ” Ashley Morey sings with a tart sweetness thats sublimely at odds with her overdriven bass, husband Justins buzzing guitars and their pummeling drum machine. Her voice floats in a pop bubble above the sonic fray, with Beach Boys-styled harmonies and chimes seeming almost dissonant against the distorted backings and shouted asides. Whats really appealing, besides melodic hooks that burrow deep into your ear, is the combination of aggression and vulnerability that drives many of the songs. Morey creates an emotional quiet/loud dynamic as she mates the imperious power of Mary Weiss to the vulnerability of Feargal Sharkey, producing the sense of someone whos confident but not wholly sure. Shes bloodied by romantic wreckage, but damn well isnt going to bleed out, and even the relatively tender “So Far So Close” is colored by thrumming bass and a distorted edge on the vocals. The obsessive desire of “Little Rag Doll” is endearing and maybe a bit scary, depending on whether its a private thought written into a diary or a love letter shoved into someones locker. There are moments of less harrowing desire, such as the hopeful realization of “Come On Baby, ” but much of the albums romance is seen in postmortem hangover as Morey wrestles with lingering attachments and emerging feelings of righteous anger. A cover of Fugazis “Merchandise” retains its urgency amid the duos electric hum, but its the girlgroup hooks and baion beats that really give this record its power. [2017 Hyperbolium] Sunshine and the Rains Bandcamp Page Tags: Girlgroup, Post Punk, Rock Posted in CD Review, Free Stream, No Comments » Art Pepper: The Art Pepper Quartet Thursday, July 6th, 2017 An overlooked gem in Peppers mid-50s catalog Despite his extensive drug-related jail time, Pepper was a prodigious and surprisingly consistent recording artist. The late-50s and early-60s were particularly fruitful years, minting classics that include 1957s Art Pepper Meets the Rhythm Section and 1959s Art Pepper + Eleven. But among these well-known catalog highlights were smaller gems, such as this 1956 release. Recently freed from a federal penitentiary, married his second wife, Diane, and gigging regularly around Los Angeles, Pepper recorded this one-off, low-key quartet date for the Tampa label. Accompanying Pepper is his longtime colleague Russ Freeman on piano, and West Coast regulars Ben Tucker on bass and Gary Frommer on drums. The repertoire for this outing included five Pepper originals, along with interpretations of the standards “I Surrender Dear” and “Besame Mucho. ” Peppers widow, Laurie, notes in the liners that the takes are shorter than one might expect for a jazz album – all of the master takes are under six minutes, and “Vals Pal” a tidy 204. But that still leaves room for Pepper and Freeman to exchange ideas, and the conciseness of their solos is appealing. Freemans comping leads the rhythm section as Pepper solos, and though this isnt the saxophonists most adventurous outing, its relaxed, optimistic mood is charming and unusual among Peppers catalog as a session leader. Omnivores reissue adds alternates of “Pepper Pot” and “Blues at Midnight, ” and session tapes from the recording of “Vals Pal. ” The latter are particularly interesting, as they detail a complete first pass, and the false starts and incomplete takes that led to the master. Laurie Peppers liner note provide background on the sessions recording and its road to reissue, providing the sort of context thats often lost or overlooked in a straight-up reissue of a lesser-known catalog entry. This may not be the place to begin an appreciation of Peppers catalog – his ‘50s and early-60s highlights and remarkable comeback in the 1970s are more obvious starting points – but its reissue is a welcome addition to the Pepper library. [2017 Hyperbolium] Art Pepper on Bandcamp and CD Baby Tags: Cover Songs, Jazz, Omnivore Posted in CD Review, Free Stream, Reissue, No Comments » Tom Armstrong: The Sky is an Empty Eye Tuesday, July 4th, 2017 Superb private press album of guitar instrumentals When you can make a record with a USB microphone and cloud-based recording, its hard to remember the revolution that was home recording. TEACs 4-track reel-to-reel recorders (and TASCAMs later cassette-based Portastudio) for the semi-pro market allowed home recordists to multi-track and overdub without the overbearing expense (and ticking clock) of studio time. Some of these sessions ended up in the commercial market, but many were unspooled only for friends and family, or circulated in local vinyl pressings. Tompkins Square sampled several of these small batch recordings on Imaginational Anthem, Vol. 8: The Private Press, and now expands on the theme with this first of several planned full album reissues. Tom Armstrong had hung around the edges of the music business, playing bars and open mics, but when his engineering career took off, dreams of a professional music career were put aside. But a 4-track gifted to him by his wife kept his guitar playing alive, and provided a creative outlet into which he poured this original music. Though he kept recording for more than a decade, this is the one collection of songs he had mastered and pressed to vinyl, handing out copies mostly to friends and business associates. He favors meditative acoustic tracks, such as the harmonic-filled opener and the somnambulistic “Dream Waltz, ” but he adds dripping neo-psych notes to “Keller, ” picks electric slide on “The Thing, ” and sings the title track. The albums variety might have driven a market-seeking record label crazy, but its exactly that free-spiritedness that gives the album its charm. The segue from the finger-picked electric “Mamas Baby” to the echoed, nearly discordant “Bebop” suggests the evolution of blues into jazz, and the album continues to evolve as it closes with the driving spaciness of “Thunder Clouds. ” Most of the arrangements appear to be two or maybe three guitars, sometimes rhythm and lead, often interleaving in original ways. Armstrongs technique is good, but its his musical imagination and the freedom to follow his muse without commercial pressure that really gives these recordings their power. [2017 Hyperbolium] Tompkins Squares Home Page Tags: Blues, Folk, Instrumentals, Psych, Tompkins Square Posted in CD Review, Free Stream, No Comments » Sara Petite: Road Less Traveled Eleven years from her debut, Tiger Mountain, the title of Sara Petites latest album is at odds with the miles of experience in her voice. What had once been a musical pastime turned into a sanity-saving career choice, that in turn transformed her personal struggles into artistic fuel. This latest set explores intimate themes of restlessness, desire, discovery, love, loss and recovery, and though the shuffling rhythms and moody horns suggest Johnny Cash, theres a delicate vulnerability in Petites voice that Cashs baritone couldnt have sustained. Petite makes palpable the broken heart of “Getting Over You” with lyrical detail whose innocuousness turns out to be its revelation. She turns in an original drinking song with “Monkey on My Back, ” and finds self-confidence in the surreal Tom Petty-influenced dream of “Good 2 B Me. ” Recorded with her band (who get a terrific showcase on the swampy “Sweet Pea Patch”) rather than the Nashville studio hands of her earlier releases, the album has a more organic and exploratory feel – both of which complement an artist whos fully come into her own as an autobiographical writer. If youve been following Petites career, youll be pleased with her continuing growth as an artist, and if youre new, this is a great place to jump in. [2017 Hyperbolium] Sara Petites Home Page Tags: Country Posted in CD Review, Free Stream, No Comments » The Beau Brummels: The Very Best Of – The Complete Singles Saturday, July 1st, 2017 The mono A-sides of the Beau Brummels, and more! San Franciscos Beau Brummels cast a long shadow with a surprisingly short chart resume. Their run in the Top 40 lasted two years, and amounted to only three hit singles, “Laugh, Laugh, ” “Just a Little” and “You Tell Me Why. ” From there, the singles dwindled down the chart, and ended with 1966s “One Too Many Mornings. ” But their sound – particularly their harmony arrangements – was unique, and their albums and non-album singles have retained an artistic currency beyond their commercial success. All six albums are on CD, along with best of and rarities collections, and a pair of deep vault explorations. Varese adds to the catalog a sixteen-track set that collects the groups twelve original mono A-sides, a trio of Sal Valentino singles and the groups 1975 reworking of “You Tell Me Why. ” The 45-minute disc is accompanied by a twelve-page booklet of photos, liner notes by noted West Coast music historian Alec Palao, and song notes that Palao gathered from band members Ron Elliott, Sal Valentino, John Peterson, Ron Meagher and Don Irving, lyricist Bob Durand and producer Lenny Waronker. Those new to the groups catalog may find a greatest hits collection to be a better overall introduction, but fans will really enjoy the original mono A-sides (and long for the Bs. 2017 Hyperbolium] The Beau Brummels Home Page Tags: Folk Rock, Pop, Rock, Varese Sarabande Posted in CD Review, Free Stream, Reissue, No Comments » Willie Nile: Positively Bob Friday, June 30th, 2017 An acolyte pays tribute to Bob Dylan Given the influence Dylans had on Niles singing and writing voices, this set of ten covers is a natural. That said, the reverence in which Dylans catalog is held and the lengthy history of Dylan tributes can make an album of covers quite fraught. Navigating a line between sacrosanct devotion and reactionary irreverence requires an artist whos as familiar with himself as he is with Dylan. It takes someone with youthful naivete or aged confidence to avoid being intimidated into pale imitation. Luckily, Nile is both: an elder statesman whose lengthy experience has never eclipsed his youthful enthusiasm. The renaissance of his careers third phase has proven rock ‘n roll the most potent elixir of youth. Niles maturity and self assuredness allows him to revel in the Dylanesque tone of his voice, proving it not an imitation but a natural derivation. For him to sing these songs in any other voice would be a cop out, and so the nasal tone of Dylans originals are heard in these covers, even as Niles more sing-song delivery brands the interpretations as original. Like others before – including Dylan himself – Nile takes some liberties with the arrangements, but nothing that loses the songs souls or plays as attention-getting novelties. The selections stick primarily to well-known Dylan material from the early-to-mid ‘60s, stretching past this pivotal early period for the mid-70s “Abandoned Love” and early ‘80s “Every Grain of Sand. ” Nile was a teenager when Dylan (and Peter, Paul & Mary) burst forth with “Blowin in the Wind, ” and its clear that the power of the songs revelatory rhetoric hasnt faded. Nile sings “The Times They Are A-Changin” and “A Hard Rains A-Gonna Fall” with a zeal thats not just undimmed by the passing years, but renewed by experience. Dylans clarion calls, poetic flights and love songs resound with both history and currency as their joys and ills have come around again and again. Album highlights include a beautiful take on the oft-covered “Love Minus Zero/No Limit” and a warm, family-styled reading of “You Aint Goin Nowhere. ” Dylans songs harbor personal import and shared experience, and Nile reminds of both with these touching performances. [2017 Hyperbolium] Willie Niles Home Page Tags: Cover Songs, Folk, Pop, Rock Posted in CD Review, Free Stream, No Comments » Peter Rowan: My Aloha! Friday, June 2nd, 2017 A love letter to Hawaiian aloha from an old country soul Though mainly viewed as a bluegrass musician, Peter Rowans musical adventures have also includes rockabilly, blues and rock. For much of his career, starting with his 1965 induction into Bill Monroes Bluegrass Boys, hes played bluegrass, teaming with David Grisman in Muleskinner and Old and in the Way, touring with his brothers, and continually growing his roots in new directions. His latest album seemingly takes a bit of a detour, indulging in Hawaiian-influenced original material as he collaborates with island musicians, and, just as importantly, vintage, region-specific instruments. But what might at first look like a detour, turns out to be an extension of his roots. Having spend downtime on the beaches and in the clubs of Hawaii, Rowans found connections between island sounds and his bluegrass roots, and made friends out of those who carry on the traditions. Here hes gathered a few of his island colleagues, and they brought along vintage guitars, ukuleles and mandolins whose resonance with one another is astounding. As Kilin Reece writes in the liner notes: “It became immediately clear to us that these entities of wire and wood had a lot to say to each other. ” Rowans originals are filled with aloha as he pines for a departed hula girl, is mesmerized by love and nature, and contemplates the inevitability of mortality. The tempos are relaxed and the mood serene as Jeff Au Hoys slide provides a distinctive sound, and Rowans voice edges into falsetto. Its hard to imagine a younger or less-experience musician making an album this loving of a second spiritual home. If youve been to Hawaii, this album will remind you of the enveloping warmth of the air and the sunsets perfect hue; and if you havent been, this album will make you long to go. [2017 Hyperbolium] Peter Rowans Home Page Tags: Hawaiiana, Omnivore Posted in CD Review, Free Stream, No Comments » Cait Brennan: Third Wednesday, May 31st, 2017 Pop music in a grand ‘70s vein Brennans full-length 2016 debut, Debutante, set a high bar for this follow-up. Though she began making music as a child, she retreated from public performance for nearly two decades before edging back into the spotlight. Such a period of woodshedding is often emblematic of the industry aphorism, “you have a lifetime to write your first album, but only a year to write your second. ” Thankfully, Brennan didnt empty her artistic bank account on her debut, or even the shelved second album Introducing the Breakdown, and – bonus – since this is technically her third album, its ineligible for a sophomore slump. And slump this is not. ‘Ascent is more apt. Together with creative partner Fernando Perdomo, Brennan combines the best of ‘70s pop – Nilsson, Bowie, Todd Rundgren, Emitt Rhodes, Sparks, Raspberries, ELO – with the snap of Princes ‘80s funk. Perdomo plays most of the instruments and Brennan provides all of the vocals, but it sounds like an ensemble rather than a construct. With tracking laid down in only three days, the productions are full of early-take life thats magnified by canny overdubs of guitar, mellotron and other atmospheric touches. This has the energy of a live set and the finesse of a crafted studio product. Recording at Ardent s fabled studio A, the duo not only channeled Big Stars influence, but employed some of their original equipment. Perdomo played Chris Bells Gibson 330 on the opening “Bad at Apologies, ” and Brennan picked it up for “Collapse. ” The duos production is as inviting as the songs and performances, with a gorgeous choral finish to “Perish the Thought” and a superb vocal treatment on the closing “Goodbye Missamerica. ” E-Bow, Mellotron, Moog and a wah-wah pedal add period vibes, but the overall sound is modern, with some tech terminology thrown into a few songs for good measure. Brennans stories of crisis and revival may spring from her transgender identity, but she doesnt pigeonhole herself. As she noted in an interview with Curve, “The beauty of words on a page…is that its beyond gender and sexuality and race and age—its the ideas that count. ” Her songs transcend personal history, and her bountiful sense of humor is evident in tagging “He Knows Too Much” with a disclaimer, referencing Dr. Seuss in “A Hard Man to Love, ” and giving a song title shout-out to Benedict Cumberbatch. Those new to Brennan should prepare to be dazzled; fans should prepare to be dazzled anew. [2017 Hyperbolium] Cait Brennans Home Page Tags: Omnivore, Pop, Rock Posted in CD Review, Free Stream, No Comments » The Golden Gate Strings: Stu Phillips Presents The Monkees Songbook Tuesday, May 30th, 2017 Legendary film and television composer orchestrates the Monkees While teenagers of the 1960s were anointing new musical heroes, their parents were being drawn across the generation gap by orchestrated, instrumental versions of popular hits. A few, such as the Chess-based Soulful Strings, were deep artistic statements, but many were easy listening cash-ins by faceless studio assemblies. Stu Phillips work in this area lies somewhere in between. Phillips is a highly-regarded composer of film and television scores, and as the creator of the Hollyridge Strings, he charted a string-laden cover of the Beatles “ All My Loving ” in 1964. Additional Beatles cover albums followed, intertwined with LPs dedicated to the Four Seasons, Beach Boys, Elvis Presley and in 1967, the Monkees. Interestingly, this is not the only string-based album of orchestrated Monkees covers, as RCAs Living Strings released Im a Believer and Other Hits in 1966, and Tower (a subsidiary of Capitol) released the Manhattan Strings Play Instrumental Versions Of Hits Made Famous By The Monkees in 1967. What makes this album unique among the three, besides Phillips talent as an arranger, is his connection to the Monkees as the composer of the television shows background music. The twelve tracks, drawing titles from the groups first two albums, are all carefully arranged, conducted and played, with bowed and pizzicato strings, forlorn brass and other instruments taking turns on the vocal lines. Theres nothing here that challenges the iconic memories of the Monkees originals, but Phillips adds new mood and detail to songs from Boyce & Hart, Neil Diamond, David Gates and Mike Nesmith. He threads some funk into “Mary, Mary, ” emphasizes the joyous bounce of “Im a Believer” with strings, horns and swinging percussion, adds a hint of slinky mystery to “(Im Not Your) Steppin Stone, ” and gives the novelty “Your Auntie Grizelda” a foreign flair. What might initially appeal as a cash-in turns out to be craftily executed arrangements of deftly written pop songs, and fifty years removed from the Monkees original releases, theyre still tinted by nostalgia, but stand nicely on their own. [2017 Hyperbolium] Stu Phillips Home Page Tags: Brill Building, Cover Songs, Instrumentals, Pop, Rock Posted in CD Review, Free Stream, Reissue, No Comments » The Easybeats: Vigil Friday, May 26th, 2017 The Easybeats fifth studio album was released in several different forms. The 14-track UK release was slimmed to 12 tracks, resequenced and retitled Falling Off The Edge Of The World for the U. S. market. In the groups native Australia, the album retained its title and cover art, but lost three cover songs, gained the original “Bring a Little Lovin, ” and was issued only in mono. Its this latter Australian release, with its track list, sequencing and mono master, thats featured on this limited edition Record Store Day 2017 reissue. In addition to the multiple configurations of the albums release, its construction was likewise multiheaded, as two songs recorded in mid-1967 with Glyn Johns (for the shelved Good Friday album) were combined with material recorded later the same year with Mike Vaughan. The Australian edition sticks entirely to Vanda-Young originals, but theres a great deal of musical range on offer. Soul influences course through the hard-grooving opener “Good Times, ” rhythmic “See Saw, ” mid-tempo “What in the World, and psych-gospel “Come in Youll Get Pneumonia. ” The group dips its toes into bubblegum-ska on “Sha La, La, La, Leah, ” but more interesting is the social social commentary of “We All Live Happily Together” and the baroque polish of “Land of Make Believe. ” And speaking of polish, the soft-pop closer, “Hello How Are You” may be the albums most audacious in its distance from the groups roots. There are numerous musical highlights here, if not an artistic vision that pulls it all together. Get Vareses vinyl for the mono punch, and the CD for the bonus tracks. [2017 Hyperbolium] Tags: Pop, Rock, Soul, Varese Sarabande Posted in Free Stream, Reissue, Video, Vinyl Review, No Comments ».

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